I've always been amazed by the uniqueness of the individual tones formed to melodies through chords to the whole sound. From an early age, I've been trying to play a variety of instruments, such as recorder, guitar, drums, percussion, and cello. Now I perform in various orchestras as a music player and as a conductor. 

I collaborate with many people from the music or film industry individually and apply a wide range of diversity in my approach to various projects. Therefore, I compose, arrange and orchestrate and conduct compositions for quartets, jazz trios, big bands, acoustic bands and orchestras with any style.

I have been arranging and orchestrating for 14 years. I have huge experience in writing for orchestras, bands, quartets, trios, big bands, pop brass bands, concert bands, folk groups, synthware experiments, etc. I started arranging for the whole symphony orchestra right away and so later had the opportunity to listen whole work as it was.

I have made many film and non-film titles such as Angel of the Lord 2, Confidential Enemy, Against The Wild, Marie Therese, Bond & Beatles in Concert, Eva Farna in Concert, Vesna Concert, etc.

I studied conducting at the Jaroslav Ježek Conservatory with Professor Hynek Farkac. I gained further practice by studying other important conductors, including Leonard Bernstein, Herbert von Karajan and Jiří Bělohlávek. I am currently conducting the Šarbilach Orchestra, which I have been conducting for the fourth year. I am the internal conductor of Soundsgate company, where I also orchestrate and prepare sheet music.

Quality music material is always a guarantee of good and quick orientation and good settings of musicians and conductors. If the notation is in a poor quality, the time for recording frequencies is extended and therefore the budget for musicians and the studio must be increased. So I am trying to avoid this problem at all costs.